On the Beauty of Early 19th-Century Soapstone Sculpture

From the moment you encounter this early 19th-century soapstone figure of Liu Hai and his iconic three-legged toad, there is a quiet yet compelling sense of storytelling carved into the stone. Measuring 22 cm in height and rendered in striking shades of warm red, creamy beige and charcoal veining, this sculpture captures not only a folkloric subject, but also a cultural wish: the promise of prosperity.

In Chinese legend, Liu Hai is a cheerful immortal associated with wealth and good fortune. He is often shown playing with a string of coins and luring the three-legged toad, a mythical creature said to dwell in the moon and capable of bringing riches to those who please it. In this example, Liu Hai smiles serenely, holding the toad in a gentle, almost playful gesture. A symbol of spiritual lightness and material abundance united.

Soapstone, soft and easily shaped, was a favored material among Chinese artisans for its natural warmth and expressive surface. Despite its accessibility, this piece reveals a high degree of skill: the undercut branches, the graceful fall of Liu Hai’s robe, and the fine features of the face suggest an experienced hand. The coloring of the stone itself  with deep rust like hues and subtle contrast gives the work a superb quality.

Today, such figures are highly collectible, especially when they preserve their original polish, age-appropriate wear, and a dynamic yet balanced composition like this one. Pieces depicting Liu Hai and his toad are particularly beloved by collectors interested in Daoist iconography, symbolism, and auspicious art.

This work forms part of our private collection at Ten Cate Art. Not only for its sculptural charm, but for the joyous spirit it conveys. It is a reminder that fine Chinese art is as much about narrative and energy as it is about material and form.

Sometimes, the promise of good fortune takes the shape of a smile carved in stone.

Patrick ten Cate